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Vases

Warning
The illustrations are not contractual: the stencil stickers have the appearance of the patterns and are an illustration. The real stencils do not have the copyright in the middle of the stencil. Furthermore independent patterns can be organized differently than there are on illustrations.

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Medicis-vase-1 ***

width = height / 1.17

The Medicis vase is inspired by models of ancient Greece, including cup-shaped craters. It is characterized by a cup-shaped base mounted on a pedestal. Here, the pedestal and base are made of acanthus leaves while the body of the vase is decorated with strings of beads.



Suggested use
- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of the frieze .



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a
light orientation.



Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding frieze either installing or removing the support because bridges or windings..

Medicis-vase-2 ***

width = height / 1.23

The Medicis vase is inspired by models of ancient Greece, including cup-shaped craters. It is characterized by a cup-shaped base mounted on a pedestal. Here, the pedestal and the base are formed of acanthus while the body of the vase is decorated with grooves and the collar of ovals patterns.

 

Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern, or facing one another in opposite position,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of the frieze .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.

 

Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding or at the frieze
installation or removal of the support because of the bridges or windings.

Grotesque-vase***

width = height / 0.66

This grotesque pattern is extracted from a decorative panel by Virgil Solis organized in a plant network of rinceaux with masks, winged putti and vases. Virgil Solis (1514-1562) was an engraver and decorator in Nuremberg; he produced an abundant work of more than 600 engraved plates including models grotesque ornaments and interlacing. He excels in the grounds of Moresque decorations for silverware. Although his grotesque signs are not always of a high quality there are always exudes a cheerful and bustling simplicity here amazed satyr mask sees his beard ended in a beam of simplified acanthus leaves.

 

Suggested use

- Isolated in a central pattern between two friezes,
- At the beginning or at he the end of the frieze .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding frieze either installing or removing the support because bridges or windings.

the trick of the professional

If you take very complex stencils at a very small size, you may encounter difficulties in both the use and reuse of the stencil. Instead, when your stencil is large, it is more solid and easy to paint and reuse. The only notable exception is the use of stencils on textile : even complex small stencils can be used with relative safety and therefore a number of times.

If you want to use very small stencils on hard materials (wall , wood, cardboard ... ) remember that bridges, very thin, are more fragile than they could be on the same stencils used in larger size. To avoid the distortion off bridges in anticipation of a renewed use, you must adapt the adhesion of the stencil to the material on which it will be applied . For masking glass, for example, very adherent because very smooth surface, do not hesitate to tire adhesive stencil using a repeated sticky stencil surface with a lint-free textile touch before application . And the stencil will withdraw more easily and bridges will be spared .