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Large sizes

These large stencils allow rapid large scale decoration and dispense from worrying about the composition.

Warning
The illustrations are not contractual: the stencil thumbnails have the appearance of the patterns but are only an illustration. The real stencils do not have the copyright in the middle of the stencil. Furthermore independent patterns can be organized differently than the illustrations
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Little candelabra-Hopfer-1 **

Version Medici vase foot dolphin

  

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. This small candlestick is an interpretation made from the panel-"grotesque"-Hopfer .

 

Suggested use
- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Little candelabra-Hopfer-2 **

Version Medici vase acanthus foot

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. This small candlestick is an interpretation made from the panel-grotesque-Hopfer .

 

Suggested use

- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Panel-grotesque-Hopfer **** 55 cm x 84.5 cm

One size: 55 cm x 84.5 cm

 

 

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. Daniel Hopfer does not hesitate to copy his contemporaries, which is a common practice in the sixteenth century, and adapt elements for the purpose of the scissors of goldsmiths.

 

Suggested use

- isolated in a central pattern.



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .



Level of difficulty

**** The stencil is complex. Bridges are large or sensitive. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Trophee-elephant-Boyvin ***

 René Boivin trophy engraver

 

René Boyvin (Born in Angers, 1525 - Death in Angers to 1625/1630) first worked at the Monnaie of Angers as an engraver before moving in 1545 to Paris, where he entered the service of Pierre Milan , one of the most famous engravers of the school of Fontainebleau. On the death of the latter, he moved to his own account and spread by the engraving the works of the Fontainebleau artists. We know from him many ornaments of engravings, portraits and costumes and jewelry.



Suggested use

- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .



Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding frieze either installing or removing the support because bridges or windings.

Trophee-weave-Hopfer-1 ***

Version tilted straight bottom with large bow

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. Daniel Hopfer does not hesitate to copy his contemporaries, which is a common practice in the sixteenth century, and adapt elements for the purpose of the scissors of goldsmiths.

 

Suggested use

- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding frieze either installing or removing the support because bridges or windings.

Trophee-weave-Hopfer-2 ***

Version tilted bottom left with little bow

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. Daniel Hopfer does not hesitate to copy his contemporaries, which is a common practice in the sixteenth century, and adapt elements for the purpose of the scissors of goldsmiths.

 

Suggested use

- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty

*** The stencil is tricky. It requires a certain application either for breeding frieze either installing or removing the support because bridges or windings.

Middle candelabra-Hopfer **

Composition with candelabra by Hopfer

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) to be the first to use etching in the printing industry in the late fifteenth century. Its panels with grotesque and trophies represent a stack of architectural elements, objects, human and hybrids and winding foliage. This is a candelabrum interpretation from the panel-grotesque-Hopfer .



Suggested use

- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .



Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Great-pilaster ****

Great pilaster in the manner of Gregorio Gregoriis

  

In architecture the pilaster is a large flat column involved in a wall that is often used as carved or painted decorative holder . The ornamental pilaster proposed here is an interpretation of the Renaissance painted decors, sometimes in trompe l'oeil to imitate the carved stone. In ornamentation the pilaster is often called candelabra hence from base spring the rinceaux like the branches of a candelabrum. The repertoire of grotesque and arabesque included: the Medici vases, rinceaux, acanthus, pearls, fleurons and more.

The patterns for this pilaster are inspired by decorative margins of the books of Gregorio Gregoriis, printer in Venice in the early sixteenth century. He was the first to print a book in Arabic, for the Christian communities in Syria.



Suggested use
- Isolated in a central pattern,
- Frieze easy for wall separation or a border for a piece of cloth .



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .



Level of difficulty

**** The stencil is complex. Bridges are large or sensitive. The laying of the stencil requires great care to properly
keep fit, to organize the frieze or prevent tearing.

Great candelabra-Hopfer ***

Great candelabra in the manner of Hopfer

 

One considers Daniel Hopfer (1470 in Kaufbeuren - 1536 in Augsburg) To Be The first to use etching in the printing industry in the late Fifteenth Century. Its panels with grotesque and trophies Represent a stack of Architectural Elements, objects, and human hybrids and winding foliage. This small candlestick is an interpretation made from the panel-grotesque-Hopfer.

 

Suggested use

- Isolated central motif - in plain frieze for wall separation gold border for a piece of cloth.

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome Accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome contents, each element being white hidden at the implementation of colors; the work of shadows and light is possible, once the pattern is dry.

 

Level of difficulty

*** The stencil is tricky. It requires a clear implementation Either for breeding frieze Either Installing or Removing the Support Because bridges windings gold.

Grotesque project Hopfer

3 stencils from Grotesque project Hopfer

pannel-grotesque-hopfer (Renaissance atmosphere/ Large format) 55 cm x 84,5 cm
little-candelabra-hopfer1 (Renaissance atmosphere/ Large format) 26 cm x 84,5 cm 
Monogram-interlaces-of love-capital letter (Mariage atmosphere / Monogramme) 26 cm x 26 cm 

The room is decorated with grotesque motifs from Daniel Hopfer (1470 Kaufbeuren - 1536 Augsburg). His grotesque panels and trophies are a stack of architectural elements, objects, human and hybrid figures and foliage winding. The trompe l'oeil wall paneling is outlined by simple lines that may be more or less thick to simulate the thickness of the wood.
View project in larger size

 

Room dimensions
floor area of ​​4,5 m x 3,5 m
3 m height walls
window 2m x 1.1m
door 2.18 x 1 m

the trick of the professional

If you take very complex stencils at a very small size, you may encounter difficulties in both the use and reuse of the stencil. Instead, when your stencil is large, it is more solid and easy to paint and reuse. The only notable exception is the use of stencils on textile : even complex small stencils can be used with relative safety and therefore a number of times.

If you want to use very small stencils on hard materials (wall , wood, cardboard ... ) remember that bridges, very thin, are more fragile than they could be on the same stencils used in larger size. To avoid the distortion off bridges in anticipation of a renewed use, you must adapt the adhesion of the stencil to the material on which it will be applied . For masking glass, for example, very adherent because very smooth surface, do not hesitate to tire adhesive stencil using a repeated sticky stencil surface with a lint-free textile touch before application . And the stencil will withdraw more easily and bridges will be spared .

Panel-grotesque-1 **** 110 cm x 280 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 280 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .




Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-2 **** 110 cm x 280 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 280 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 


Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-3 **** 110 cm x 280 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 280 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-4 **** 110 cm x 280 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 280 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-5 **** 110 cm x 247 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 247 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-6 **** 110 cm x 247 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 247 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-7 **** 110 cm x 247 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 247 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-8 **** 110 cm x 247 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 110 cm x Height 247 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-9 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-10 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-11 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-12 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-13 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Panel-grotesque-14 **** 84 cm x 150 cm

Delivered in 2 vertical stencils that, juxtaposed, restore the decorative panel (small overlap provided to ensure good continuity of the pattern)

One Size: Width 84 cm x height 150 cm

 

Etienne Delaune (circa 1518 - 1583) is one of the most prolific French decorators of the sixteenth century : he is credited with the authorship of over 400 prints, generally small in size, in the Mannerist style of the school of Fontainebleau. Designed for use by goldsmiths, gunsmiths medalists the works of Delaune reproduce ornamental patterns but also allegorical scenes for tapestry or illustration.

The grotesque panels offered in stencil are inspired by the full suite of six allegories representing the various sciences (average size of prints : 5.7 cm x 8 ) http://www.mbar.org/collections/guide/gravures/ 026.php http://www.meublepeint.com/delaune_etienne.htm

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The laying of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Base-hybrid-1 **** 84 cm x 47 cm

One Size: Width 84 cm x height 47 cm

 

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .




Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing

Base-Hybrid-2 **** 84 cm x 47 cm

One Size: Width 84 cm x height 47 cm

 

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .




Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Base-floral-1 **** 84 cm x 47 cm

One Size: Width 84 cm x height 47 cm

 

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .




Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Base-floral-2 **** 84 cm x 47 cm

One Size: Width 84 cm x height 47 cm

 

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Base-dais-1 **** 84 cm x 47 cm

One Size: Width 84 cm x height 47 cm

 

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Fruit basket ****

Minimum Size:
width 40.5 cm x height 48 cm
Width = height / 1.18

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Mask-man-acanthus ****

Minimum Size:
width 40.5 cm x height 48 cm
Width = height / 1.18

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Vase-bouquet ****

Minimum Size:
width 40.5 cm x height 48 cm
Width = height / 1.18
Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Medicis-flower-vase ****

Minimum Size:
width 40.5 cm x height 48 cm
Width = height / 1.18

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Base-dais-3 **

Minimum Size:
width 25 cm x height 36 cm
Width = height / 1.44

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Base-dais-4 **

Minimum Size:
width 25 cm x height 36 cm
Width = height / 1.44

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Tonnelle-Laurel **

Minimum Size:
width 38 cm x height 63 cm
Width = height / 1.66
Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Garland-Fruits-Vertical **

Minimum Size:
width 19 cm x height 70 cm
Width = height / 3.68

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Base-dais-2 **

Minimum Size:
width 84 cm x height 32 cm
Width = height / 2.6

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Laurel-crown **

Minimum Size:
width 38 cm x height 38 cm
Width = height

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors;
the work of shadows and light is possible once the pattern is dry .

 


Level of difficulty

** The stencil requires attention; no particular difficulty but the multiplication or complexity of the bridges require care.

Frieze-with-grenades ****

Minimum Size:
width 116.5 cm x height 36 cm
Width = height x 3.24

Suggested use
- Isolated pattern between two friezes
- integrated in a composition of decorative panels,
- Decoration or pilaster base.



Chromatic suggestions
The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .



Level of difficulty
**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Mask-horn-abundance ****

Minimum Size:
width 133.7 cm x height 36 cm
Width = height x 3.71

Suggested use
- Isolated pattern between two friezes
- integrated in a composition of decorative panels,
- Decoration or pilaster base.

 

Chromatic suggestions
The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a luminous orientation,
- Polychrome, each element being hidden at the application of colors; the work of shadows and light is possible once the pattern is dry .

 

Level of difficulty
**** The stencil is complex. Bridges are numerous or fragile. The installation of the stencil requires great care to keep fit, to organize the frieze or prevent tearing.

Grotesque-1 room project