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Medallions

Warning
The illustrations are not contractual: the stencil stickers have the appearance of the patterns and are an illustration. The real stencils do not have the copyright in the middle of the stencil. Furthermore independent patterns can be organized differently than there are on illustrations.
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Dolphin-medallion-circle*

width = height / 0.87

 

The medallion composed of wrapped dolphins are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, dolphins provide a framework for the representation of St. Peter and
St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and Italianate influences. These dolphins disposed head to tail and knotted to a leaf are in the style of Renaissance grotesques.



Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.



Level of difficulty

* The stencil is simple. No particular difficulty.

Dolphin-medallion-frieze-circle 2-great-century-initials * *

width = height / 0.87

The medallion composed of wrapped dolphins are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, dolphins provide a framework for the representation of St. Peter and
St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and Italianate influences. These dolphins disposed head to tail and knotted to a leaf are in the style of Renaissance grotesques.

Pattern comes with 2 initials taken from the alphabet Grand century.

 

Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center..

 

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.

 

Level of difficulty

* The stencil is simple. No particular difficulty.

Dolphin-medallion-frieze-circle 2-uppercase-initials *

width = height / 0.87

The medallion composed of wrapped dolphins are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, dolphins provide a framework for the representation of St. Peter and
St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and Italianate influences. These dolphins disposed head to tail and knotted to a leaf are in the style of Renaissance grotesques.

Pattern comes with 2 initials taken from Uppercase alphabet.

 

Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.

 

Level of difficulty

* The stencil is simple. No particular difficulty.

Medallion-fleuron-round *

width = height / 0.89 

Medallion of wrapped acanthus are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, the medallion is the framework for the representation of the attributes of St. Peter and St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and italian influences
. These acanthus are disposed head to tail and joined by a set of pearls .They are in the style of Renaissance grotesques.

 

Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.

 

Level of difficulty

* The stencil is simple. No particular difficulty.

Medallion-fleuron-circle 2-great-century Initials *

width = height / 0.89

The medallion with wrapped dolphins are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, dolphins provide a framework for the representation of St. Peter and
St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and Italianate influences. These dolphins disposed head to tail and knotted to a leaf are in the style of Renaissance grotesques.

Pattern comes with 2 initials taken from the alphabet Grand century.



Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.



Level of difficulty

* The stencil is simple. No particular difficulty.

Medallion-fleuron-circle 2-Initials-capitalized *

width = height / 0.89

The medallion with wrapped dolphins are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543). In the original work, dolphins provide a framework for the representation of St. Peter and
St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades, and models of for silverware, according to a synthesis of Germanic traditions and Italianate influences. These dolphins disposed head to tail and knotted to a leaf are in the style of Renaissance grotesques.

Pattern comes with 2 initials taken from the Uppercase alphabet.

 

Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.

 

Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a light orientation.

 

Level of difficulty

* The stencil is simple. No particular difficulty.

Medallion-fleuron-spandrels *

On the plate, the pattern with the four spandrels and monogram at your request (or without if you prefer!)

width = height / 0.93

Medallion with wrapped acanthus .They are a transposition of a pattern etched about 1524 by Hans Holbein the Younger (1497-1543) for a frontispiece. Spandrels of interlacing allow the squaring of the pattern. In the original work, the medallion is the framework for the representation of the attributes of St. Peter and St. Paul. Holbein was a painter and a early renowned German designer . Very inventive, he made numerous interiors or facades and models for silverware, according to a synthesis of Germanic traditions and Italianate influences.
These acanthus are disposed head to tail and joined by a set of pearls .They are in the style of Renaissance grotesques.



Suggested use

- Isolated in a central pattern between two friezes, as a corner pattern,
- Multiplied on the support in rotation or in various sizes,
- At the beginning or at he the end of termination frieze,
- Medallion for monogram or other pattern above a door, a book cover, a table center.



Chromatic suggestions

The pattern is suitable for:
- Monochrome,
- Monochrome accentuated by the work of shadows and light by choosing a
light orientation.



Level of difficulty

* The stencil is simple. No particular difficulty.

the trick of the professional

If you take very complex stencils at a very small size, you may encounter difficulties in both the use and reuse of the stencil. Instead, when your stencil is large, it is more solid and easy to paint and reuse. The only notable exception is the use of stencils on textile : even complex small stencils can be used with relative safety and therefore a number of times.

If you want to use very small stencils on hard materials (wall , wood, cardboard ... ) remember that bridges, very thin, are more fragile than they could be on the same stencils used in larger size. To avoid the distortion off bridges in anticipation of a renewed use, you must adapt the adhesion of the stencil to the material on which it will be applied . For masking glass, for example, very adherent because very smooth surface, do not hesitate to tire adhesive stencil using a repeated sticky stencil surface with a lint-free textile touch before application . And the stencil will withdraw more easily and bridges will be spared .